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Listen to the album hurr:
I may be Doctor Rock, but I have other interests and that includes melodic country music. Neko Case has been around for awhile. She used to be a punk rock drummer before making it big doing guest vocals for The New Pornographers. Her solo career started in 1997, casting away the punk roots for alternative country.
You won’t find a better voice out there today. Once called the ghost of Patsy Cline, her voice compels the listener to follow her stories of friendship, faith, love, and jealousy. It’s real country.
To me, Fox Confessor Brings the Flood is one of two albums released in 2006 that keeps my listening over and over without skipping songs. For those of you that care, TV on the Radio’s Return to Cookie Mount is the other. The highlight for me is the opening track, Margaret vs. Pauline.
The rich get poorer and the poor get richer. That’s what filesharing does for the music industry. No wonder the RIAA is desperately trying to shutdown all filesharing activities.
A recent overview of the current literature on the effect of filesharing on record sales shows that the most popular artist (top 25%) sell less records. However, […]
The rich get poorer and the poor get richer. That’s what filesharing does for the music industry. No wonder the RIAA is desperately trying to shutdown all filesharing activities.
A recent overview of the current literature on the effect of filesharing on record sales shows that the most popular artist (top 25%) sell less records. However, the remaining 75% of all artists actually profits from filesharing. How this is possible?
Easy, sharing increases the amount of artists you get familiar with. Especially BitTorrent sites are an excellent platform for promoting new, or less popular artists.
First of all, on BitTorrent sites the users decide what’s popular, not the radiostations, record labels and pluggers. Besides this, it’s far more easy to first download an album, listen to it, and then decide if you want to buy it or not. Sure, most of the people will not buy the album, but since you will probably tell tell your friends about this “great new album”, popularity will grow, and eventually the artist will profit from it.
An excellent example is the band Harvey Danger who offers the opportunity to download their album on their website. As soon as they decided to do this, their popularity grew. By offering their album as a download, they gained a lot of fans, collected donations, and probably sold more albums.
Something to think about…
by Heather Phares | |
Bluefinger could be seen as a return to form, but whose return to form is it? This is the first music Charles Kitteridge Thompson IV has made as Black Francis since his days with the Pixies, after more than 15 years of releasing albums as Frank Black. The man of many names said he was inspired to go back to Black Francis while recording "Threshold Apprehension," the bonus track for the Frank Black retrospective 93-03. That song -- which also appears here -- and the rest of Bluefinger was inspired by Herman Brood, a Dutch musician, painter, and poet whose fondness for sex, drugs, and rock & roll led to lifelong health and addiction problems, and ultimately, his 2001 suicide at age 54. The switch back to the mysterious Black Francis persona might have helped channel Brood's lust for life -- after all, with the Pixies, Francis excelled at telling twisted, fragmented songs inspired by the Bible and his messed-up id like "Dead" and "Nimrod's Son" -- and Bluefinger has some of the most aggressive, decadent songs Thompson has written under any of his aliases. "Threshold Apprehension" is joyfully self-destructive, shouting about "Grand Marnier and a packet full of speed" and being "junk sick" like they're both fantastic, while the color-coded debauchery of "Tight Black Rubber" is a skuzzy cousin to Black's "Ten Percenter," and actually is fantastic. "My baby's so bad, I nearly killed her!" is an almost Pixies-worthy depiction of weird sex, and even when you're not sure exactly what is going on in the song, it sounds like dangerous fun. However, no matter how much Thompson insists that Bluefinger is a Black Francis album, it's still far closer to his work as Frank Black than to anything he did with the Pixies. He just doesn't sound the way he used to, even though his scream is still one of the all-time great rock vocals and pops up all over the album, especially effectively on the cover of Brood's own "You Can't Break a Heart and Have It." This isn't a bad thing, though; as Frank Black, he has become an excellent, if slightly more traditional, songwriter and storyteller, and that serves character sketches as diverse as the death-defying "Test Pilot Blues" and punk love story "Discotheque 36" well. Bluefinger's range also feels more Frank than Francis. "Captain Pasty"'s revved-up rocker would have fit on Dog in the Sand or Teenager of the Year, while the title track has a compassion and gentleness to it that would've been wildly out of place on a Pixies album. Attaching the Black Francis moniker to this album might ratchet up expectations too high for rabid Pixies fans, but Bluefinger is a good Charles Thompson album -- it's still really enjoyable to hear him have fun and rock out, no matter what name he chooses to use. |